“...she could not think of what had happened to her that day, or of what might happen that night. Instead, she watched the lamplighters move along the avenues even as their celestial counterparts set the stars alight in the sky. The rain had washed the city clean, and the air was a confection of clematis and violets and peony. Music and light spilled out of so many grand houses that the two seemed at once ubiquitous and united, as if to play a note was to send forth a ray of illumination, and a quartet was enough to set the grandest halls aglitter.”

“Later, while she was sleeping, she woke to the sound of Ray moving through the house. At first she confused. She thought she was still married to Bill. Then, when she had everythbing straight in her head, shame washed over her because she had denied her first husband when she had told Ray that no man had ever been as good to her as he had. But it was true, wasn't it? She lay in bed, listening to him opening cabinets, and she knew it was impossible to say what was between people, and the longer you were with someone, the harder it was to even come close. All she knew was that once she had been with Bill and now she was with Ray. She had come out of her old life and into a new one, and even if she wished for it, which she didn't-not really, she didn't, not even in her heart of hearts-she couldn't go back.~Clare”

“Betsy was so full of joy that she had to be alone. She went upstairs to her bedroom and sat down on Uncle Keith's trunk. Behind Tacy's house the sun had set. A wind had sprung up and the trees, their color dimmed, moved under a brooding sky. All the stories she had told Tacy and Tib seemed to be dancing in those trees, along with all the stories she planned to write some day and all the stories she would read at the library. Good stories. Great stories. The classics. Not Rena's novels.”

“She's thinking that what she's been doing all these years isn't what she wants to do anymore. Sometimes music flows to her and from her, but sometimes it doesn't. Lately that happens more and more, and she can't seem to find what she had and what made her special. But she can't tell her father because he'd be so disappointed in her, so disappointed to find out she's not extraordinary after all.”

“Two months in Shanghai, and what does she have to show for herself? She had been full of plans on the plane ride over, had studied her phrase book as if cramming for an exam, had been determined to refine her computational model with a new set of data, expecting insights and breakthroughs, plotting notes for a new article. Only the time has trickled away so quickly. She has meandered through the days chatting with James instead of gathering data. At night, she has gone out to dinners and bars. [James'] Chinese has not improved; her computational model has barely been touched. She does not know what she has been doing with herself, and now an airplane six days away is waiting for her.”

“Arrow let the slow pulse of the vibrating strings flood into her. She felt the lament raise a lump in her throat, fought back tears. She inhaled sharp and fast. Her eyes watered, and the notes ascended the scale. The men on the hills, the men in the city, herself, none of them had the right to do the things they'd done. It had never happened. It could not have happened. But she knew these notes. They had become a part of her. They told her that everything had happened exactly as she knew it had, and that nothing could be done about it. No grief or rage or noble act could undo it. But it could all have been stopped. It was possible. The men on the hills didn't have to be murderers. Then men in the city didn't have to lower themselves to fight their attackers. She didn't have to be filled with hatred. The music demanded that she remember this, that she know to a certainity that the world still held the capacity for goodness. The notes were proof of that. ”