“A comedy isn't about being funny," said Mrs. Baker. "We talked about this before.""A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know.""Suppose you can't see it?""That's the daring part," said Mrs. Baker.”

“Happy," said Thomas. "When I grow up, I am going to be happy."Mrs. van Amersfoort was about to pull a book from the shelf, but turned in surprise. She looked at Thomas with a smile and said, "That is a damn good idea. And do you know how happiness begins? It begins with no longer being afraid.”

“But even this gives rise to another central tenet, attendant to the Comedy Is Good myth: Comedy Is Hard. Certainly well-rendered comedy is hard. All things done well require practice and work. But for the most funny people, being funny is as inevitable as being double-jointed; it is a worldview formed long before words. One is born funny. The adage, as is, is incomplete. It should be Comedy is hard... if you're not funny. Pirouettes are almost impossible... without legs. Jokes can be honed, made better, tighter, and cleaner, and people can even be made funnier. But you can't really make someone funny who isn't.”

“I think a character in a comedy should not know they`re in a comedy.”

“Maybe that's it, [...] [w]ith what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." [...] "Maybe [...] what we're supposed to do is come together. That's how we stop the breaking.”

“Music and comedy are so linked. The rhythm of comedy is con­nected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.”