“In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?”

“I wanted this complex language, this surge of intellect, to be processed into love. Isn’t how they used to do it a century ago, people reading poetry to one another?”

“I mean we desperately wanted to be in love with something or other. We were lonely people. It seemed more sensible to fall in love with another person who also wanted to fall in love, than to love a chair or a cat or an idea.”

“... I'm the fortieth-ugliest man in this bar. But so what! So what! What if someday she lets me kiss each one of her freckles again? She has like a million. But every one of them means something to me. Isn't this how people used to fall in love? I know we're living in Rubenstein's America, like you keep saying. But doesn't that just make us even more responsible for each other's fates? I mean, what if Eunice and I just said no to all this. To this bar. To this FACing. The two of us. What if we just went home and read books to each other?”

“After further introductions were made, we settled in the family room. Yes, the living room would have been nicer, but I wanted comfortable surroundings while plotting to murder one famed historical figure with another one.~Cat”

“I want to make love to the French Revolution. Or maybe just get some head from Robespierre.”