“When the mind is exhausted of images, it invents its own.”

“All this new stuff goes on topturn it over, turn it overwait and water downfrom the dark bottomturn it inside outlet it spread throughSift down even.Watch it sprout.A mind like compost.”

“Lay down these wordsBefore your mind like rocks. placed solid, by handsIn choice of place, setBefore the body of the mind in space and time:Solidity of bark, leaf, or wall riprap of things:Cobble of milky way. straying planets,These poems, people, lost ponies withDragging saddles -- and rocky sure-foot trails.The worlds like an endless four-dimensionalGame of Go. ants and pebblesIn the thin loam, each rock a word a creek-washed stoneGranite: ingrained with torment of fire and weightCrystal and sediment linked hot all change, in thoughts,As well as things.”

“As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.”

“The blue mountains are constantly walking." Dōgen is quoting the Chan master Furong. -- "If you doubt mountains walking you do not know your own walking." -- Dōgen is not concerned with "sacred mountains" - or pilgrimages, or spirit allies, or wilderness as some special quality. His mountains and streams are the processes of this earth, all of existence, process, essence, action, absence; they roll being and non-being together. They are what we are, we are what they are. For those who would see directly into essential nature, the idea of the sacred is a delusion and an obstruction: it diverts us from seeing what is before our eyes: plain thusness. Roots, stems, and branches are all equally scratchy. No hierarchy, no equality. No occult and exoteric, no gifted kids and slow achievers. No wild and tame, no bound or free, no natural and artificial. Each totally its own frail self. Even though connected all which ways; even because connected all which ways. This, thusness, is the nature of the nature of nature. The wild in wild.So the blue mountains walk to the kitchen and back to the shop, to the desk, to the stove. We sit on the park bench and let the wind and rain drench us. The blue mountains walk out to put another coin in the parking meter, and go down to the 7-Eleven. The blue mountains march out of the sea, shoulder the sky for a while, and slip back to into the waters.”

“In the mountains it's cold.Always been cold, not just this year.Jagged scarps forever snowed inWoods in the dark ravines spitting mist.Grass is still sprouting at the end of June,Leaves begin to fall in early August.And here I am, high on mountains,Peering and peering, but I can't even see the sky.”

“Damn me not I make a better fool. And there is nothing vaster, more beautiful, remote, unthinking (eternal rose-red sunrise on the surf—great rectitude of rocks) than man, inhuman man, At whom I look for a thousand light years from a seat near Scorpio, amazed and touched by his concern and pity for my plight, a simple star, Then trading shapes again. My wife is gone, my girl is gone, my books are loaned, my clothes are worn, I gave away a car; and all that happened years ago. Mind & matter, love & space are frail as foam on beer.”