“You want the secret off my succes; my recipe? I have always brought the same care to making an adventure novel, a serialized novel, that others would bring to the making of a poem. My ambition was to raise the level of this much maligned genre.”
“Know that it is a corpse who loves you and adores you and will never, never leave you!...Look, I am not laughing now, crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again!...Oh, mad Christine, who wanted to see me!”
“I tore off my mask so as not to lose one of her tears... and she did not run away!...and she did not die!... She remained alive, weeping over me, weeping with me. We cried together! I have tasted all the happiness the world can offer.”
“Now I want to live like everybody else. I want to have a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody. People will not even turn round in the streets. You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. You are crying! You are afraid of me! And yet I am not really wicked. Love me and you shall see! All I wanted was to be loved for myself. If you loved me I should be as gentle as a lamb; and you could do anything with me that you pleased.”
“Tonight I gave you my soul, and I am dead." - Christine, from Gaston Leroux's: The Phantom of the Opera.”
“Look!You want to see? See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like? Oh, you women are so inquisitive! Well, are you satisfied? I'm a good-looking fellow, eh?...When a woman has seen me, as you have, she belongs to me.She loves me forever! I am a kind of Don Juan, you know!...Look at me! I am Don Juan Triumphant! -Erik in The Phantom of the Opera”
“He fills me with horror and I do not hate him. How can I hate him, Raoul? Think of Erik at my feet, in the house on the lake, underground. He accuses himself, he curses himself, he implores my forgiveness!...He confesses his cheat. He loves me! He lays at my feet an immense and tragic love. ... He has carried me off for love!...He has imprisoned me with him, underground, for love!...But he respects me: he crawls, he moans, he weeps!...And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty...he offered it...he offered to show me the mysterious road...Only...only he rose too...and I was made to remember that, though he was not an angel, nor a ghost, nor a genius, he remained the voice...for he sang. And I listened ... and stayed!...That night, we did not exchange another word. He sang me to sleep.”