“Extremely self-conscious in its craft, in many ways The Hand of Ethelberta is an exploration of fiction as illusion, which involves parody of the conventions it employs; romance, melodrama and farce, and a rejection of realism for absurdist and surrealistic effects. The ‘hand’ of Ethelberta is an obvious, ironic allusion to courtship, and the sub-title, ‘A Comedy in Chapters’, suggests the novel’s affinity with the conventions of Restoration and eighteenth-century comedy of manners.”
“Fiction is an illusion wrought with many small, conventionally symbolic marks, triggering visions in the minds of others”
“For life is terribly deficient in form. Its catastrophes happen in the wrong way and to the wrong people. There is a grotesque horror about its comedies, and its tragedies seem to culminate in farce.”
“A farce or comedy is best played; a tragedy is best read at home.”
“Ripe for romance? Is that not only the self-conscious and sensitive young man's way of saying he was heavy with passion? Is not, perhaps, romance only the fiction by means of which the tender-minded negotiate their lust?”
“In this desperate way, I started many a comedy.”