“THE QUESTION seems a hopeless one after 2000 years of resoluteadherence to the old cry of “Not this man, but Barabbas.”Yet it is beginning to look as if Barabbas was a failure, inspite of his strong right hand, his victories, his empires, hismillions of money, and his moralities and churches and politicalconstitutions. “This man” has not been a failure yet;for nobody has ever been sane enough to try his way. But hehas had one quaint triumph. Barabbas has stolen his nameand taken his cross as a standard. There is a sort of complimentin that. There is even a sort of loyalty in it, like that ofthe brigand who breaks every law and yet claims to be apatriotic subject of the king who makes them. We have alwayshad a curious feeling that though we crucified Christon a stick, he somehow managed to get hold of the right endof it, and that if we were better men we might try his plan.There have been one or two grotesque attempts at it by inadequate people, such as the Kingdom of God in Munster,which was ended by crucifixion so much more atrocious thanthe one on Calvary that the bishop who took the part ofAnnas went home and died of horror. But responsible peoplehave never made such attempts. The moneyed, respectable,capable world has been steadily anti-Christian andBarabbasque since the crucifixion; and the specific doctrineof Jesus has not in all that time been put into political orgeneral social practice.”

“Your weak side, my diabolic friend, is that you have always been a gull: you take Man at his own valuation. Nothing would flatter him more than your opinion of him. He loves to think of himself as bold and bad. He is neither one nor the other: he is only a coward. Call him tyrant, murderer, pirate, bully; and he will adore you, and swagger about with the consciousness of having the blood of the old sea kings in his veins. Call him liar and thief; and he will only take an action against you for libel. But call him coward; and he will go mad with rage: he will face death to outface that stinging truth. Man gives every reason for his conduct save one, every excuse for his crimes save one, every plea for his safety save one: and that one is his cowardice. Yet all his civilization is founded on his cowardice, on his abject tameness, which he calls his respectability. There are limits to what a mule or an ass will stand; but Man will suffer himself to be degraded until his vileness becomes so loathsome to his oppressors that they themselves are forced to reform it.”

“But whether the risks to which liberty exposes us are moral or physical our right to liberty involves the right to run them. A man who is not free to risk his neck as an aviator or his soul as a heretic is not free at all; and the right to liberty begins, not at the age of 21 years but 21 seconds.”

“I am no Christian. These days it does no good to confess that, for the bishops and abbots have too much influence and it is easier to pretend to a faith than to fight angry ideas. I was raised a Christian, but at ten years old, when I was taken into Ragnar’s family, I discovered the old Saxon gods who were also the gods of the Danes and of the Norsemen, and their worship has always made more sense to me than bowing down to a god who belongs to a country so far away that I have met no one who has ever been there. Thor and Odin walked our hills, slept in our valleys, loved our women and drank from our streams, and that makes them seem like neighbours. The other thing I like about our gods is that they are not obsessed with us. They have their own squabbles and love affairs and seem to ignore us much of the time, but the Christian god has nothing better to do than to make rules for us. He makes rules, more rules, prohibitions and commandments, and he needs hundreds of black-robed priests and monks to make sure we obey those laws. He strikes me as a very grumpy god, that one, even though his priests are forever claiming that he loves us. I have never been so stupid as to think that Thor or Odin or Hoder loved me, though I hope at times they have thought me worthy of them.”

“The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother’s milk and blackens it to make printer’s ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist’s work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another.”

“Nature gave men two ends - one to sit on and one to think with. Ever since then man's success or failure has been dependent on the one he used most. ”

“Nature gave man two ends -- one to sit on, and one to think with. Ever since then, man's success or failure has been dependent on the one he used most.”