“For in the multitude of middle-aged men who go about their vocations in a daily course determined for them much in the same way as the tie of their cravats, there is always a good number who once meant to shape their own deeds and alter the world a little. The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardour in generous unpaid toil cooled as imperceptibly as the ardour of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly.”

“If she had been left alone she would have gone on, in her own way, enjoying herself thoroughly, until people found one day that she had turned imperceptibly into one of those women who have become old without ever having been middle aged: a little withered, a little acid, hard as nails, sentimentally kindhearted, and addicted to religion or small dogs.”

“There is something in the ardour and ingenousness of youth, which is particularly pleasing to the contemplation of an old man, if his feelings have not been entirely corroded by the world.”

“George was, in truth, one of the sort who evidently have made some mistake in coming into this world at all, as their internal furniture is in no way suited to its general courses and currents.”

“Oh, hang it all! what's the good—I mean, the good of living in a room for ever? There one goes on day after day, same old game, same up and down to town, until you forget there is any other game. You ought to see once in a way what's going on outside, if it's only nothing particular after all.”

“Nobody cared about Oma Kristel, about the way she had tried to keep herself attractive long after Youth had packed its bags and moved out of the aging tenement, about the way she always had some little gift for me, a sample bottle of unsuitable scent or a brooch made of sparkly paste.”