“I remember that a Korak once brought to me an old tattered fashion-plate from "Frank Leslie's Illustrated Newspaper," containing three or four full-length figures of imaginary ladies, in the widest expansion of crinoline which fashion at that time prescribed. The poor Korak said he had often wondered what those curious objects could be; and now, as I was an American, perhaps I could tell him. He evidently had not the most remote suspicion that they were intended to represent human beings. I told him that those curious objects, as he called them, were American women. He burst out into a "tyee-e-e-e" of amazement, and asked with a wondering look, "Are all the women in your country as big as that at the bottom?" It was a severe reflection upon our ladies' dress, and I did not venture to tell him that the bigness was artificial, but merely replied sadly that they were.”

“I tried to remember what Rita had said about being a bigger person. I could either calmly tell him that he was mistaken or let him have it. I could be the bigger person or I could be like any normal sixteen-year-old.Like there really was a choice."First off, you ever call me a babe again and no medical team on earth will be able to tell that you were once a guy."I was only sixteen after all.”

“Philemon and other figures of my fantasies brought home to me the crucial insight that there are things in the psyche which I do not produce, but which produce themselves and have their own life. Philemon represented a force which was not myself. In my fantasies I held conversations with him, and he said things which I had not consciously thought. For I observed clearly that it was he who spoke, not I. He said I treated thoughts as if I generated them myself, but in his view thoughts were like animals in the forest, or people in a room, or birds in the air, and added, “If you should see people in a room, you would not think that you had made those people, or that you were responsible for them.” It was he who taught me psychic objectivity, the reality of the psyche. Through him the distinction was clarified between myself and the object of my thought. He confronted me in an objective manner, and I understood that there is something in me which can say things that I do not know and do not intend, things which may even be directed against me.”

“Hey Clark', he said.'Tell me something good'. I stared out of the window at the bright-blue Swiss sky and I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other. And I told him of the adventures they had, the places they had gone, and the things I had seen that I had never expected to. I conjured for him electric skies and iridescent seas and evenings full of laughter and silly jokes. I drew a world for him, a world far from a Swiss industrial estate, a world in which he was still somehow the person he had wanted to be. I drew the world he had created for me, full of wonder and possibility.”

“He had given Cosette a dress of Binche lace that had come down to him from his own grandmother. “These fashions have come round again,” he said, “old things are all the rage, and the young women of my old age dress like the old women of my childhood,”

“That took a while." Frank was looking not at her but at his brother. She needed to tell somebody. "It was awful. That horse really is vicious. I wish I could go back and relive last Sunday, and we wouldn't be here." Frank said, "The thing you've got to learn is that Cord's meaner than most of what he comes up against. You were worried about him the day he half-killed those poor yahoos too, if I remember.”