“I often have the feeling that even at the best of times literary criticism is fraudulent, since in the absence of any accepted standards whatever -- any external reference which can give meaning to the statement that such and such a book is "good" or "bad" -- every literary judgement consists in trumping up a set of rules to justify an instinctive preference. One's real reaction to a book, when one has a reaction at all, is usually "I like this book" or "I don't like it" and what follows is a rationalisation.”

“The real reason why I should not like to be in the book trade for life is that while I was in it I lost my love of books. A bookseller has to tell lies about books, and that gives him a distaste for them.”

“In reality there is no kind of evidence or argument by which one can show that Shakespeare, or any other writer, is "good". Nor is there any way of definitely proving that--for instance--Warwick Beeping is "bad". Ultimately there is no test of literary merit except survival, which is itself an index to majority opinion.”

“The existence of good bad literature—the fact that one can be amused or excited or even moved by a book that one's intellect simply refuses to take seriously—is a reminder that art is not the same thing as cerebration.”

“In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning.”

“Until one has some kind of professional relationship with books, one does not discover how bad the majority of them are.”

“All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane.”