“Is there anyone who has ever written so much as a love letter in which he felt that he had said exactly what he intended? A writer falsifies himself both intentionally and unintentionally. Intentionally, because the accidental qualities of words constantly tempt and frighten him away from his true meaning. He gets an idea, begins trying to express it, and then, in the frightful mess of words that generally results, a pattern begins to form itself more or less accidentally. It is not by any means the pattern he wants, but it is at any rate not vulgar or disagreeable; it is good art. He takes it because good art is a more or less mysterious gift from heaven, and it seems a pity to waste it when it presents itself.”

“Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.”

“Formerly...when he tried to do anything for the good of everybody, for humanity...for the whole village, he had noticed that the thoughts of it were agreeable, but the activity itself was always unsatisfactory; there was no full assurance that the work was really necessary, and the activity itself, which at first seemed so great, ever lessened and lessened till it vanished. But now...when he began to confine himself more and more to living for himself, though he no longer felt any joy at the thought of his activity, he felt confident that his work was necessary, saw that it progressed far better than formerly, and that it was always growing more and more.”

“Leon was less withdrawn, more friendly, and he was, much of the time, in contact with reality. He was, in other words, getting better. It is our guess that Leon did not want to get better. He did not want to get any closer to us, or to Joseph and Clyde. He was only too aware of the implications of getting better, and he was frightened of them. He had become sick originally for very good reasons, and the reasons had not changed. Thus, although he needed companionship, he wanted it only up to a point, and this point had already been reached and passed. He was beginning to care too much for Joseph and Clyde (and perhaps for us too) and he needed to return to his earlier state of isolation from his fellow man.”

“Formerly (it had begun almost from childhood and kept growing till full maturity), whenever he had tried to do something that would be good for everyone, for mankind, for Russia, for the district, for the whole village, he had noticed that thinking about it was pleasant, but the doing itself was always awkward, there was no full assurance that the thing was absolutely necessary, and the doing itself, which at the start had seemed so big, kept diminishing and diminishing, dwindling to nothing; while now, after his marriage, when he began to limit himself more and more to living for himself, though he no longer experienced any joy at the thought of what he was doing, he felt certain that his work was necessary, saw that it turned out much better than before and that it was expanding more and more.”

“The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.”