“Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.”

“You know, Lockie,’ she said aloud.‘What?’‘The thing about parents is . . . the thing about good parents — and I think your parents are pretty good . . .’‘Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there’s work to do. They’re good parents, my mum and dad. But . . . but they didn’t find me.’‘I know, Lockie, but I promise they were looking. When we get you home they’ll tell you. I promise they were looking.’‘I should have stayed by the stroller. Maybe they’re mad and that’s why they didn’t look. Maybe they know I’m a bad boy.’ ‘You are not bad, Lockie,’ said Tina. She said the words slowly, patiently. ‘You are not bad and your parents sound like they’re pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.’‘No matter what?’‘Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don’t like but they always love you.’‘What if the stuff you do is really bad?’‘They’ll still love you. That’s their job.’‘No, I mean what if the stuff you did is really, really bad?’‘It doesn’t matter, Lockie. You’re just a kid. Nothing you could do could be that bad.’‘You don’t know what bad is,’ said Lockie, and then he repeated the words to himself. ‘You don’t know what bad is.”

“Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)”

“I don’t know what came over me. You were in my arms, crying and when I looked down at you I just couldn’t stop myself. It was like someuncontrollable force I just had to kiss you Layla. I know you’re mad and I’m sorry that you feel that way but honestly Layla? It was wonderful. And I’ddo it again in a heartbeat. I’m crazy about you. I can’t stop thinking about you. You’re the first thing I think about when I wake up, the only thing I thinkabout all day and the last thing I think about at night. You’re my muse. I must have written at least twenty new songs since I met you and they’re allabout you. Your eyes, your smile the way you laugh and the way you make my heart want to tear its way out of my chest when you’re near me. I can’tfight it any more, it’s killing me. I’ve tried to forget it, to get over you but no other girl even compares. I don’t know what to do anymore.”

“But what I don’t like — and what I don’t think either Seymour or Buddy would like, either, as a matter of fact — is the way you talk about all these people. I mean you don’t just despise what they represent — you despise them. It’s too damn personal, Franny. I mean it. You get a real little homicidal glint in your eye when you talk about this Tupper, for instance. All this business about his going into the men’s room to muss his hair before he comes in to class. All that. He probably does — it goes with everything else you’ve told me about him. I’m not saying it doesn’t. But it’s none of your business, buddy, what he does with his hair. It would be all right, in a way, if you thought his personal affectations were sort of funny. Or if you felt a tiny bit sorry for him for being insecure enough to give himself a little pathetic goddam glamour. But when you tell me about it — and I’m not fooling, now — you tell me about it as though his hair was a goddamn personal enemy of yours. That is not right — and you know it. If you’re going to to war against the System, just do your shooting like a nice, intelligent girl — because the enemy’s there, and not because you don’t like his hairdo or his goddam necktie.”

“I think I fell in love with you the first time I saw you, Molly mine. And when I look at you, that’s all I’m ever going to see, the woman I love. It doesn’t matter if you’re perfect. To me, you will be, and that’s all that counts. It’ll be that way always. Even years from now, when you’re old and withered, I’ll see you with my heart, not my eyes. That’s just the way it is when you love someone. The imperfections don’t exist. If you see them at all, you think they’re beautiful.”