“Until one has some kind of professional relationship with books, one does not discover how bad the majority of them are.”

“In reality there is no kind of evidence or argument by which one can show that Shakespeare, or any other writer, is "good". Nor is there any way of definitely proving that--for instance--Warwick Beeping is "bad". Ultimately there is no test of literary merit except survival, which is itself an index to majority opinion.”

“Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had one been different?”

“When one watches some tired hack on the platform mechanically repeating the familiar phrases -- bestial atrocities, iron heel, bloodstained tyranny, free peoples of the world, stand shoulder to shoulder -- one often has a curious feeling that one is not watching a live human being but some kind of dummy: a feeling which suddenly becomes stronger at moments when the light catches the speaker's spectacles and turns them into blank discs which seem to have no eyes behind them. And this is not altogether fanciful. A speaker who uses that kind of phraseology has gone some distance toward turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved as it would be if he were choosing his words for himself. If the speech he is making is one that he is accustomed to make over and over again, he may be almost unconscious of what he is saying, as one is when one utters the responses in church. And this reduced state of consciousness, if not indispensable, is at any rate favorable to political conformity.”

“Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.”

“The existence of good bad literature—the fact that one can be amused or excited or even moved by a book that one's intellect simply refuses to take seriously—is a reminder that art is not the same thing as cerebration.”

“I often have the feeling that even at the best of times literary criticism is fraudulent, since in the absence of any accepted standards whatever -- any external reference which can give meaning to the statement that such and such a book is "good" or "bad" -- every literary judgement consists in trumping up a set of rules to justify an instinctive preference. One's real reaction to a book, when one has a reaction at all, is usually "I like this book" or "I don't like it" and what follows is a rationalisation.”