“But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.”

“And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.A novel for me is an immersive experience where I feel as if I have lived it and that I've tasted the food and experienced the sex and experienced the terror of battle. So I want all of the detail, all of the sensory things—whether it's a good experience, or a bad experience, I want to put the reader through it. To that mind, detail is necessary, showing not telling is necessary, and nothing is gratuitous.”

“As for 'too much description,' well, opinions differ. We write the books we want to read. And I want to read books that are richly textured and full of sensory detail, books that make me feel as if I am experiencing a story, not just reading it. Plot is only one aspect of telling a tale, and not the most important one. It is the journey that matters, not how fast you arrrive at the destination.That's my view, anyway. Others writers differ, of course. There are hundreds of books where everything is subordinate to advancing the plot, some of them quite fine, but my work has never been about that, and never will be.”

“Plot a murder, you're saying. But every plot is a murder in effect. To plot is to die, whether we know it or not. [...] To plot, to take aim at something, to shape time and space. This is how we advance the art of human consciousness. (WN 291-2)”

“He read with intensity and was passionately in love with every character, every turn of plot or twist of language. He made the characters come alive for us, like he wasn't reading a work of fiction but telling stories about his own friends.”

“I think you can read a dozen different books and not learn a single thing about writing. Good writers don't read, they study books. They pick the plots apart and the sentences apart. And part of studying is copying. Reading is great and every writer should read, but reading alone isn't enough to learn what you need to learn...”