“The mass of mankind is divided into two classes, the Sancho Panzas who have a sense for reality, but no ideals, and the Don Quixotes with a sense for ideals, but mad.”

“Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence.”

“To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.”

“Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self.”

“It would be easy, however, to exaggerate the havoc wrought by such artificial conditions. The monotony we observe in mankind must not be charged to the oppressive influence of circumstances crushing the individual soul. It is not society's fault that most men seem to miss their vocation. Most men have no vocation; and society, in imposing on them some chance language, some chance religion, and some chance career, first plants an ideal in their bosoms and insinuates into them a sort of racial or professional soul. Their only character is composed of the habits they have been led to acquire. Some little propensities betrayed in childhood may very probably survive; one man may prove by his dying words that he was congenitally witty, another tender, another brave.But these native qualities will simply have added an ineffectual tint to some typical existence or other; and the vast majority will remain, as Schopenhauer said, Fabrikwaaren der Natur.”

“Don Quixote's misfortune is not his imagination, but Sancho Panza.”

“There was a distinct class of these gentlemen tramps, young men no longer young, who wouldn't settle down, who disliked polite society and the genteel conventions, but hadn't enough intelligence or enough conceit to think themselves transcendentalists or poets, in the style of Thoreau or of Walt Whitman.”