“Incredible nervous state, trepidation beyond words: to be this much in love is to be sick (and I love to be sick).”
"Incredible nervous state, trepidation beyond words: to be this much in love is to be sick (and I love to be sick)." - Georges Bataille
Georges Bataille's quote, "Incredible nervous state, trepidation beyond words: to be this much in love is to be sick (and I love to be sick)," captures the intense and overwhelming emotions that come with being deeply in love. The author expresses a sense of exhilaration and excitement, suggesting that love has the power to consume and overwhelm individuals to the point where they feel almost physically unwell. This quote highlights the idea that love can be a powerful and intoxicating force that can both uplift and destabilize individuals.
The quote by Georges Bataille explores the intense highs and lows of being in love. Despite the challenging emotions that can come with love, Bataille suggests that there is a certain beauty in embracing vulnerability and allowing oneself to truly feel and experience love. This perspective remains relevant in modern times, where societal norms often discourage showing vulnerability or admitting feelings of deep love. By recognizing and accepting the overwhelming nature of love, individuals today can find strength and authenticity in expressing their emotions openly.
When considering Georges Bataille's quote on love causing a state of nervousness and trepidation, one may find themselves reflecting on the complexities of love and its effects on our emotions and experiences. Here are some questions to ponder:
“I don't want your love unless you know i am repulsive,and love me even as you know it.”
“Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and in ecstatic love.”
“But a sort of rupture-in anguish-leaves us at the limit of tears: in such a case we lose ourselves, we forget ourselves and communicate with an elusive beyond.”
“My life only has a meaning insofar as I lack one: oh, but let me be mad! Make something of all this he who is able to, understand it he who is dying, and there the living self is, knowing not why, its teeth chattering in the lashing wind: the immensity, the night engulfs it and, all on purpose, that living self is there just in order … ‘not to know’. But as for GOD? What have you got to say, Monsieur Rhetorician? And you, Monsieur Godfearer? — GOD, if He knew, would be a swine. I said ‘GOD, if He knew, would be a swine.’ He (He would I suppose be, at that particular moment, somewhat in disorder, his peruke would sit all askew) would entirely grasp the idea … but what would there be of the human about him? Beyond, beyond everything … and yet farther, and even farther still … HIMSELF, in an ecstasy, above an emptiness … And now? I TREMBLE. O Thou my Lord [in my distress, I call out unto my heart], O deliver me, make them blind! The story — how shall I go on with it?But I am done.From out of the slumber which for so short a space kept us in the taxi, I awoke, the first to open his eyes … The rest is irony, long, weary waiting for death …”
“...out of despair I decided to follow this horror through. I stared down at what I was already grasping in my hand, like an ape; I wrapped myself in the dust and took off my trousers.Interwoven joy and terror strangled me within. I strangled and I gasped from pleasure. The more those pictures terrified me, the more intense was my excitement at the sight of them. After days of accumulating alarms, tensions, suffocations, I was beyond withstanding my own ignominy. I invoked it and I blessed it. It was my inevitable fate: my joy was all the greater since, with regard to life, I had long since entrenched myself in an attitude of suffering, and now, in the throes of delight, I progressed even farther into vileness and degradation.”
“From incoherent barkings of desire, man can advance to distinct speech now that, labelling the object with a name, he is able to make an implicit connection between the material it is made of and the work required to get it from the old state to the new in which it is ready for use. Thenceforth language firmly anchors the object in the stream of time.”