“Oh, yes, she's unusual!" he said bitterly. "She blurts out whatever may come into her head; she tumbles from one outrageous escapade into another; she's happier grooming horses and hobnobbing with stable-hands than going to parties; she's impertinent; you daren't catch her eye for fear she should start to giggle; she hasn't any accomplishments; I never saw anyone with less dignity; she's abominable, and damnably hot at hand, frank to a fault, and – a darling!”

“Laurel look up at him in question, but he wouldn't meet her eyes. She always wished she had more time to draw secrets from him. "I'll wear it always," she said."And think of me?" His eyes held her captive, and she knew there was only one answer."Yes.""Good."She started to turn, but before she could step away, Tamani grabbed her hand. Without breaking eye contact, he raised her hand to his face and brushed his lips over her knuckles. For just a second, his eyes were unguarded. A spark went through Laurel at what she saw there: raw, unbridled desire.Before she could look any closer, he smiled, and the flash was gone.”

“On the day Contess Carolina Fantoni was married, only one other living person knew that she was going blind, and he was not her groom. This was not because she had failed to warn them. 'I am going blind,' she had blurted to her mother, in the welcome dimness of the family coach, her eyes still bright with tears from the searing winter sun. By this time, her peripheral vision was already gone. Carolina could feel her mother take her hand, but she had to turn to see her face. When she did, her mother kissed her, her own eyes full of pity. 'I have been in love, too,' she said, and looked away.”

“She raised her head and saw a squadron of fighter planes. She stretched her hand high as if she could grab hold and climb away from what she had done, from who she was.”

“She starts to roll down her sleeve, but Guy stops her. He holds her arm, looks at her cuts, traces the pattern of her razor marks with his hand."Don't, it's..."Willow stops speaking as he bends his head and kisses her scars.She knows she should tell him to stop, but she can't because she wants him to go on forever. She knows too that she will probably pay for this feeling with other less pleasurable ones, but still she can't bring herself to pull her arm away.”

“She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.She looks at him.”