“Love, love, love – all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness. ”
In this quote, Germaine Greer criticizes the concept of love, describing it as a facade that conceals selfish desires such as egotism, lust, and masochism. She argues that love is often distorted by societal expectations and romanticized notions, leading to a false sense of joy and misery. Greer highlights the superficiality of courtship rituals and the shallow nature of relationships, suggesting that true personalities are obscured by these artificial gestures.
In this quote, Germaine Greer critiques the superficiality and hypocrisy often associated with the concept of love. She argues that love is often used as a mask for self-serving desires and fantasies, overshadowing the true essence of individuals in a relationship. This perspective remains relevant in today's society, where social media and unrealistic romantic ideals can distort the reality of relationships. Greer's words serve as a reminder to look beyond the façade of love and to strive for genuine connection and understanding in our relationships.
In her critique of romantic love, Germaine Greer condemns the superficiality and falsehood that often accompany it. She argues that love is often a façade for darker motivations such as egotism, lust, and masochism. Greer's words serve as a reminder to question the true nature of love and the societal constructs that surround it.
Reflecting on Germaine Greer's quote about love, consider the following questions:
“The love object occupies the thoughts of the person diagnosed as 'in love' all the time despite the probability that very little is actually known about it. To it are ascribed all qualities considered by the obsessed as good, regardless of whether the object in question possesses those qualities in any degree. Expectations are set up which no human being could fulfill. Thus the object chosen plays a special role in relation to the go of the obsessed, who decided that he or she is the right or the only person for him. In the case of a male this notion may sanction a degree of directly aggressive behavior either in pursuing the object or driving off competition.”
“In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.”
“We still make love to organs and not people; that so far from realising that people are never more idiosyncratic, never more totally there when they make love, we re never more incommunicative, never more alone.”
“It is often falsely assumed, even by feminists, that sexuality is the enemy of the female who really wants to develop these aspects of her personality, and this is perhaps the most misleading aspect of movements like the National Organization of Women. It was not the insistence upon her sex that weakened the American woman student's desire to make something of her education, but the insistence upon a passive sexual role”
“Gillard is as likeable as Rudd is charmless. She is self-deprecating; he is ludicrously vainglorious. She is a mistress of understatement; he is a ranter.”
“Sadness is the matrix from which wit and irony spring; sadness is uncomfortable and creative, which is why consumer society cannot tolerate it.”