“The self is only a threshold, a door, a becoming between two multiplicities”

“The self is constituted within a variety of arenas and in relation to multiple traditions. Self-hood, on this understanding, is both provisional and open-ended, and critically depends on the configuration of relationships between one’s own groups and those cultures and values that are deemed ‘other’. The regulation of alterity becomes a defining attribute of self-hood, as my sense of who I am is crucially mediated by an understanding of that which I am not (paraphrasing William Connolly).”

“It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.”

“Variety, multiplicity are the two most powerful vehicles of lust.”

“Between one and oneBetween integer and integerIs itself’s nothingThe abstract zero.Between I and I Between self and selfIs itself’s everythingThe abstract HeroThat self may equate to Or keep ever as two.”

“Beauty is single. Only ugliness is multiple, and even then its multiplicity is soon exhausted.”