“What a surprise it is to discover that you have never needed to strive to survive and be happy after all. Like Dorothy in The Wizard of Oz, who discovered that she always had the means for going home, you already have what you need to be happy and safe. You have never really left Home. However, if you don't believe you already have what you need to be happy and safe, it is as if it isn't true: If we don't know the ruby slippers will take us home, it's like not having them. The ego keeps us from seeing the truth about those ruby slippers- it keeps us from seeing the truth about life. Home is right here, right now, but we may not realize it and there for not experience Home, or Essence as much as we might.”

“Courage is not measured byMarching bands and banners in the wind.If you have not walkedThe bloody lines and seen the faces,You have no right to describe it so.We die here to keep you safe at home,And what we sufferPray you may never know.”

“You're a disaster for us, Clary! You're a mundane, you'll always be one, you'll never be a Shadowhunter! You don't know how to think like we do, think about what's best for everyone-- all you think about is yourself! But there's a war now, or there will be, and I don't have time or the inclination to follow around after you, trying to make sure you don't get us killed! Go home, Clary. Go home!”

“You don't blame us for being here, do you? After all, we have no place to go. No home... Incidentally, what an excellent day for an exorcism...”

“So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began.In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed.Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through.We are the humbugs now.”

“There is darkness on the water. There is darkness on the land. There is darkness all around us, but I will hold your hand. You are safe, my precious child. You are safe now, you are home. We have found you and we love you. You will never be alone.”