“And the beasts of the earth and the birds looked down,In a wild solemnity,On a stranger sight than a sylph or elf,On one man laughing at himselfUnder the greenwood tree-The giant laughter of Christian menThat roars through a thousand tales,Where greed is an ape and pride is an ass,And Jack's away with his master's lass,And the miser is banged with all his brass,The farmer with all his flails;Tales that tumble and tales that trick, Yet end not all in scorning-Of kings and clowns in a merry plight,And the clock gone wrong and the world gone right,That the mummers sing upon Christmas nightAnd Christmas day in the morning.”

“One day he said, "I'll tell this townHow it feels to be an unfunny clown."And he told them all why he looked so sad,And he told them all why he felt so bad.He told of Pain and Rain and Cold,He told of Darkness in his soul,And after he finished his tale of woe,Did everyone cry? Oh no, no, no,They laughed until they shook the trees...And while the world laughed outside.Cloony the Clown sat down and cried.”

“There is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are also the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale has no abode or place of beind except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And . . . in whatever . . . place by whatever . . . name or by no name at all . . . all tales are one. Rightly heard all tales are one.”

“So it ends as I guessed it would,' his thoughts said, even as it fluttered away; and it laughed a little within him ere it fled, almost gay it seemed to be casting off all doubt and care and fear. And even as it winged away into forgetfulness it heard voices, and they seemed to be crying in some forgotten world far above:'The eagles are coming! The eagles are coming!'For one moment more Pippin's thought hovered. "Bilbo! But no! That came in his tale, long long ago. This is my tale, and it ended now. Good-bye!' And his thought fled far away and his eyes saw no more.”

“Yule—Yul log for the Christmas-fire tale-spinner—of fairy tales that can come true: Yul Brynner.”

“Most of the world's ills, it seemed to him, were caused by men who believed themselves important: on a good day it always ended in tears, on a bad day in global destruction. Oliver was not a man to start a war or provoke pestilence: his icons were the makers of music, the tellers of tales, the clowns and the balladeers, and all who celebrated life's footnotes, appendices and afterthoughts.Little Brown, London, 1994.”