“In a word, God paints in many colors; but he never paints so gorgeously, I had almost said so gaudily, as when He paints in white. In a sense our age has realized this fact, and expressed it in our sullen costume. For if it were really true that white was a blank and colorless thing, negative and non-committal, then white would be used instead of black and grey for the funereal dress of this pessimistic period. Which is not the case.Meanwhile I could not find my chalk.”

G.K. Chesterton

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“White is not a mere absence of color; it is a shining and affirmative thing, as fierce as red, as definite as black. God paints in many colors; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white. ”


“all conservatism is based upon the idea that if you leave things alone you leave them as they are. But you do not. If you leave a thing alone you leave it to a torrent of change. If you leave a white post alone it will soon be a black post. If you particularly want it to be white you must be always painting it again; that is, you must be always having a revolution. Briefly, if you want the old white post you must have a new white post.”


“It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god.”


“I earnestly hope that all children will spoil this book by painting the illustrations. I wanted to do this myself but the publishers would not let me. But let the colours you lay on be violent, gorgeous, terrific colours, because my feelings are like that.”


“In the specially Christian case we have to react against the heavy bias of fatigue. It is almost impossible to make the facts vivid, because the facts are familiar; and for fallen men it is often true that familiarity is fatigue. I am convinced that if we could tell the supernatural story of Christ word for word as of a Chinese hero, call him the Son of Heaven instead of the Son of God, and trace his rayed nimbus in the gold thread of Chinese embroideries or the gold lacquer of Chinese pottery, instead of in the gold leaf of our own old Catholic paintings, there would be a unanimous testimony to the spiritual purity of the story. We should hear nothing then of the injustice of substitution or the illogicality of atonement, of the superstitious exaggeration of the burden of sin or the impossible insolence of an invasion of the laws of nature. We should admire the chivalry of the Chinese conception of a god who fell from the sky to fight the dragons and save the wicked from being devoured by their own fault and folly. We should admire the subtlety of the Chinese view of life, which perceives that all human imperfection is in very truth a crying imperfection. We should admire the Chinese esoteric and superior wisdom, which said there are higher cosmic laws than the laws we know.”


“So far as he could prevent it, Dickens never permitted a day of his life to be ordinary. There was always some prank, some impetuous proposal, some practical joke, some sudden hospitality, some sudden disappearance. It is related of him (I give one anecdote out of a hundred) that in his last visit to America, when he was already reeling as it were under the blow that was to be mortal, he remarked quite casually to his companions that a row of painted cottages looked exactly like the painted shops in a pantomime. No sooner had the suggestion passed his lips than he leapt at the nearest doorway and in exact imitation of the clown in the harlequinade, beat conscientiously with his fist, not on the door (for that would have burst the canvas scenery of course), but on the side of the doorpost. Having done this he lay down ceremoniously across the doorstep for the owner to fall over him if he should come rushing out. He then got up gravely and went on his way. His whole life was full of such unexpected energies, precisely like those of the pantomime clown.”