“Really," said Gregory superciliously, "the examples you choose–""I beg your pardon," said Syme grimly, "I thought we had abolished all conventions.”

“Well, you have said that you were quite certain I was not a serious anarchist. Does this place strike you as being serious?""It does seem to have a moral under all its gaiety," assented Syme; "but may I ask you two questions? You need not fear to give me information, because, as you remember, you very wisely extorted from me a promise not to tell the police, a promise I shall certainly keep. So it is in mere curiosity that I make my queries. First of all, what is it really all about? What is it you object to? you want to abolish Government?""To abolish God!" said Gregory, opening the eyes of a fanatic. "We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery, upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights and we hate Wrongs. We have abolished Right and Wrong.""And Right and Left," said Syme with a simple eagerness. "I hope you will abolish them too. They are much more troublesome to me.”

“The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights as we hate Wrongs. We have abolished Right and Wrong.And Right and Left, said Syme with a simple eagerness, I hope you will abolish them too. They are much more troublesome to me.”

“An artist is identical with an anarchist,' he cried. 'You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway.''So it is,' said Mr. Syme.'Nonsense!' said Gregory, who was very rational when any one else attempted paradox.”

“We must have several word-signs," said Syme seriously -- "words that we are likely to want, fine shades of meaning. My favourite word is 'coeval.' What's yours?""Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is.""'Lush,' too, " said Syme, shaking his head sagaciously, "we must have ' lush' -- word applied to grass, don't you know?""Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?""There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, ' Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer--"'"Do you understand," said the other, "that this is a tragedy?""Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed -- ""Syme," said his friend with a stern simplicity, "go to bed!”

“What are we going to do?" asked the Professor."At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost.”

“There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth.”