“Catholicism fascinated him, the contortions it put itself through to make ends meet. Father Murray had kept returning to the word 'despair.' There'd been a little (bizarre, Luke thought) linguistic diversion into Latin. Desperare, formed by the 'de' prefex, signifying the removal of or from, and 'sperare,' meaning to hope. The removal of hope. That was despair. The reasoning being that you couldn't live without hope. What Murray hadn't said (but what, along with the story of the suicide ghost, Luke remembered from childhood) was that despair was classified as a sin against the Holy Spirit. That was the perverse beauty of the religion: that your daughter could be raped and murdered and yourself still condemned for giving up hope.”

“Yes, Eden was beautiful- and if I had to squeeze through corporeal keyholes to crash it- so be it. (Hasn’t it bothered you, this part of the story, my being there, I mean? What was I doing there? ‘Presume not the ways of God to scan,’ you’ve been told in umpteen variations, ‘the proper study of Mankind is Man.’ Maybe so, but what, excuse me, was the Devil doing in Eden?) I took the forms of animals. I found I could. (That’s generally my reason for doing something, by the way, because I find I can.)”

“She understood the genre constraints, the decencies were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brother’s death when he accepts Lestat’s offer. Frankenstein’s creature is driven to violence by the violence done to him. Even Lucifer’s rebellion emerges from the agony of injured price. The message is clear: By all means become an abomination—but only while unhinged by grief or wrath.”

“Expect nothing and you don't need the courage to hope, nor the strength to withstand disappointment when nothing comes.”

“And saying it--the first time we say it and mean it-- we cross over into that other world that has so far been no more than a suspicion or a dream. Saying it, we enter the golden realm where the old structures of doubt and the agony of incompleteness disappear, and the utterance itself is the first bright rung on the ladder of new possibility. What a relief! What a joyous relief from the distinctive weight of your own soul, to be able to look unguardedly into the eyes of another and say it, meaning it and heady with knowing you mean it: "I love you." If the wind had blown through me at that moment, my body would have sung like a chime.”

“Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.”

“Simultaneously (in the inner voice of a female American cultural studies professor): Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.”