“For the longest time the romantic explanation for low rates of female infection endured: Possession of a womb, it was supposed, conferred a gentleness which simply could not bear the viciousness of a lycanthropic heart. Female werewolves, masculine idiocy maintained, must be killing themselves in crazy numbers...It's quite extraordinary, given the wealth of historical evidence to the contrary, how long this fallacy of the gentler sex lasted, but the twentieth century (years before Myra and the girls of Abu Ghraib put their two penn'orth in) pretty much did away with it. Now we know: If women don't catch the werewolf bug, it's certainly not because they're sugar and spice and all things nice.”

“Your ideal possession candidate's a thirteen-year-old recently orphaned schizophrenic girl three days away from her period on her way to see the shrink with whom she's romantically besotted.”

“(I invented rock and roll. You wouldn't believe the things I've invented. Anal sex, obviously. Smoking. Astrology. Money ... Let's save time: Everything in the world that distracts you from thinking about God. Which ... pretty much ... is everything in the world, isn't it? Gosh.)”

“Simultaneously (in the inner voice of a female American cultural studies professor): Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.”

“When I change I change fast. The moon drags the whatever-it-is up from the earth and it goes through me with crazy wriggling impatience. I picture it as an electrical discharge, entering at my soles and racing upwards in haywire detonations that shock the bones and explode the neurons. The magic's dark red, violent, compressed. I get random flashes of mundane memory-- pushing a shopping cart around Met Foods; opening my apartment window; standing on a subway platform; saying to someone, No, that's carbohydrates in the evenings-- intercut with images of the kills; a white male body on an oil-stained warehouse floor; a solitary trailer with a storm lamp burning; a female thigh releasing a dark arc of blood; my clawed hand scooping out a still-hot heart. This is the Curse's neatest trick: one type of memory doesn't destroy the other. It's still you. It's still all you. You wouldn't think you were built to bear such opposites, but you are. You'd think the system would crash, but it doesn't.”

“The Russian drove. New York turned in his seat to make sure I wasn't peeking. He should have been a surfer. His face was full of masculine prettiness and immensely likeable. Which, by horror's law of inverted aesthetics, made me sure we were being taken to our deaths.”

“Werewolves are not the subject of academe,” she said, “but you know what the professors would be saying if they were. ‘Monsters die out when the collective imagination no longer needs them. Species death like this is nothing more than a shift in the aggregate psychic agenda. In ages past the beast in man was hidden in the dark, disavowed. The transparency of modern history makes that impossible: We’ve seen ourselves in concentration camps, the gulags, the jungles, the killing fields, we’ve read ourselves in the annals of True Crime. Technology turned up the lights and now there’s no getting away from the fact: The beast is redundant. It’s been us all along.”