“I wish you had fucked her. Then you’d know. Then you’d know the sublime … Her asshole, for example. It’s like a stern coquettish spoiled secretary working for Himmler—”

“This had occurred to me. But for no reason I can dignify with anything higher than the authority of a two-hundred-year-old gut I didn’t buy it. “It’s possible,” I said. “Of course it’s possible.” “But you don’t think so” “No. I’m not sure why.” Another silence, her intelligence working. Then a very slight smile. “It’s because it would be less romantic,” she said.”

“Suddenly, he missed her, their shared history. The way they remained tuned to each other across a room full of people. He's look up and see her green eyes glance at him. Yes. I know. Us. They'd known there was nothing novel about it as far as the world was concerned; they'd known it was only love, which the world had seen billions of times before. Or rather Cheryl had known. He'd never considered it. Having fallen in love with her he'd realised love was what he's been waiting for. The question of what he [i]wanted[/i] out of life had been answered. Whereas Cheryl had space left over. It was one of the differences between them. It was what kept him striving towards her.”

“Oy, Jake,” he said, shaking his head, like a benevolent rabbi I’d disappointed with my weak will. “Impatience. Seriously. I know this is hard for you …” He glazed over. Drifted a moment. Went through something in his impenetrable interior … “Actually I do know this is hard for you. I’m sorry. I’m not using my imagination. That was my New Year’s resolution, you know. Work on standing in the other fellow’s shoes. That and to read one poem every day.”

“It’s just what you’re stuck with, the lousy furniture you can’t change. The educated me knows hell’s nothing, a fiction I happened to inherit. The other me knows I’m going there. There must be a dozen mes these days, taking turns looking the other way.” “It’s the postmodern solution,” I said. “Controlled multiple personality disorder. Pick a fiction and allocate it an aspect of yourself.”

“She was afraid of us moving in together. With Mark, domestic intimacy had become domestic claustrophobia; and had riddled romance (though she never quite said this) like woodworm. It wasn't that she was resistant to the glamourlessness of stray toenails and washing up and underpants and mug-rings and hoovering and boredom; on the contrary: it was that she was horrified by her own willingness to sink so deeply into the comfort of such details. A no nonsense streak in her identified the ordinary with truth, the exotic with delusion. She and Mark had delighted in dehumbugging their own romance, had (she confessed) Larkinized themselves into mundanity addicts. In Mark's case (she suspected) because he knew deep down he had no magic in him; in her own because she knew deep down that she had too much (no nonsense streak or not), and that to release it would be to lose him - and perhaps herself. Therefore they had wallowed together in cosiness, both suffering, Mark for fear of her leaving him, her for fear (certainty, actually) that the romantic inside her would rise up and smash their deadening familiarity to pieces.”

“The absurdity of it, she thought, this quest for the love of a man who was her equal. She loathed herself for it. She thought of her life (and herself) as a missed opportunity. Somewhere, back there, she had missed something. What was it? When was it? The worse horror beneath: that she hadn't missed anything, that her life was merely the sum of her choices and that her choices had led her to this: another truncated encounter; the carcinogenic belief in the idea of a Great Love; clammy sex; loneliness in the small hours.”