“Suddenly, he missed her, their shared history. The way they remained tuned to each other across a room full of people. He's look up and see her green eyes glance at him. Yes. I know. Us. They'd known there was nothing novel about it as far as the world was concerned; they'd known it was only love, which the world had seen billions of times before. Or rather Cheryl had known. He'd never considered it. Having fallen in love with her he'd realised love was what he's been waiting for. The question of what he [i]wanted[/i] out of life had been answered. Whereas Cheryl had space left over. It was one of the differences between them. It was what kept him striving towards her.”

Glen Duncan
Life Love Time Positive

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“The absurdity of it, she thought, this quest for the love of a man who was her equal. She loathed herself for it. She thought of her life (and herself) as a missed opportunity. Somewhere, back there, she had missed something. What was it? When was it? The worse horror beneath: that she hadn't missed anything, that her life was merely the sum of her choices and that her choices had led her to this: another truncated encounter; the carcinogenic belief in the idea of a Great Love; clammy sex; loneliness in the small hours.”


“He'd seen her not really recognising him, not really, when it came down to it, caring who he was. It was disgusting, that pain could do that. What was the point of it, except to shame and disgust everyone? To make a mockery of love? If that was God then fuck God, whether there was a reason for it or not. If there was a reason then fuck the reason. No kind of reason he was interested in any more.”


“She was afraid of us moving in together. With Mark, domestic intimacy had become domestic claustrophobia; and had riddled romance (though she never quite said this) like woodworm. It wasn't that she was resistant to the glamourlessness of stray toenails and washing up and underpants and mug-rings and hoovering and boredom; on the contrary: it was that she was horrified by her own willingness to sink so deeply into the comfort of such details. A no nonsense streak in her identified the ordinary with truth, the exotic with delusion. She and Mark had delighted in dehumbugging their own romance, had (she confessed) Larkinized themselves into mundanity addicts. In Mark's case (she suspected) because he knew deep down he had no magic in him; in her own because she knew deep down that she had too much (no nonsense streak or not), and that to release it would be to lose him - and perhaps herself. Therefore they had wallowed together in cosiness, both suffering, Mark for fear of her leaving him, her for fear (certainty, actually) that the romantic inside her would rise up and smash their deadening familiarity to pieces.”


“He had never been in love. He had not known what it would feel like. He understood what the term meant, but his life had not allowed for exploring its possibilities. There had been few he had really loved. His parents; Michael. That was it. And that was love of a different kind. Less intense, less hungry. What he felt for Simralin went so far beyond anything manageable that it shocked him. He could tell himself it was because he had found her beautiful in a way that transcended anything he had ever known. But his attraction to her was a response to so much more. To her self-confidence and way of speaking. To her smile and the quirky way she lifted one eyebrow when she was amused. To the way she carried herself. To the way she looked at him.”


“She turned towards me, put her fingertips against my chest. She was enjoying it somewhat, too, the little betrayal of Mark's memory. She still loved him, differently; now and again there must be these retrospective cruelties, to consolidate her newness, to let her not love him in the old way.”


“And saying it--the first time we say it and mean it-- we cross over into that other world that has so far been no more than a suspicion or a dream. Saying it, we enter the golden realm where the old structures of doubt and the agony of incompleteness disappear, and the utterance itself is the first bright rung on the ladder of new possibility. What a relief! What a joyous relief from the distinctive weight of your own soul, to be able to look unguardedly into the eyes of another and say it, meaning it and heady with knowing you mean it: "I love you." If the wind had blown through me at that moment, my body would have sung like a chime.”