“There's a certain magic about writing even when the characters refuse to act the way I want them to.”

“I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.”

“The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story. I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."(Interview, The Paris Review, Issue 64, Winter 1975)”

“I want to write a story about an asexual unicycle who refuses to let a unicorn ride it.”

“My characters tell me how they feel about other characters and events and they demand that I write it down for them.”

“Beyond just writing about falling in love and out of love and wanting to do certain things and going out and partying and all the things that I grew up writing about, I want to write about deeper things.”