“A bronze plaque read: GAIUS PLINIUS CAECILIUS SECUNDUSDan made a face. "Get a load of the guy with the funny name.""I think that's Pliny the younger, the famous Roman writer," Amy supplied. She bent down to read the English portion of the tablet. "Right. In A.D. 79, Pliny chronicled the destruction of Pompeii by the eruption of Mount Vesuvius. It's one of the earliest eyewitness accounts of a major disaster."Dan yawned. "Doesn't this remind you of the clue hunt? You know–you telling me a bunch of boring stuff, and me not listening?”

“MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS!”

“...I think one shouldn't pussyfoot, and just say that you write the stuff that you would like to read. So you write for yourself, no doubt about that. But I do have a sort of romantic idea of someone in their twenties, of a certain bent, and when they pick up a book by me, they think--as I have done on several occasions--'Ah, here is one for me. Here is a writer who I'll have to read all of, because they're speaking directly to me, and they're writing what I want to read.' And sometimes you're doing the signing queue and a reader comes past and you sign the book, and there's a little exchange of the eyes, where you think, 'Ah, that's one of them.' So there is that ideal reader. And it's someone who's discovering literature and homes in on you. I'm aware of such readers.”

“It's funny about a face, how big a difference it makes. I mean, one day you look in th mirror and you think, yeah, that's me, that's my face. And then another day...you think, that's not me, that's not my face. So am I my face? I mean is that all I am?”

“You can't just skip the boring parts.""Of course I can skip the boring parts.""How do you know they're boring if you don't read them?""I can tell.""Then you can't say you've read the whole play.""I think I can live a happy life, Meryl Lee, even if I don't read the boring parts of The Tragedy of Hamlet, Prince of Denmark.""Who knows?" she said. "Maybe you can't.”

“I tell you Schoonmaker she doesn't know what she has. That's the heart of it. She's like some wild creature who hasn't a clue the worth of its coat.”