“Hamilton had a complaint. "Why did you have to tell the cops I'm your boyfriend? That's gross, Amy. We're related!"Amy was disgusted. "We had a common ancestor, like, five hundred years ago. Besides, if they think we're together, we only have to come up with one story, and I can do all the talking.""Hey, I got an early acceptance to Notre Dame," Hamilton said defensively. "I can talk.""Of course you can," Amy soothed. "It's what you say that might get us into trouble.”

“You're in trouble. Do you expect me to just walk away?""I wouldn't hold it against you if you did.""In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more.""Just a million?""Okay, a million plus one—your cat."She giggled. "You're bonding with Saladin?""Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will.""Emptying the litter box?""Hey. I have my limits."Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face...Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class.""Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us.""Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans.""What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.”

“Who's Evan?" Ian asked."Amy's boyfriend!""Amy, since when do you have a boyfriend?" Ian probed."Since none of your business!”

“I would like [my readers] to better understand human beings and human life as a result of having read [my] stories. I'd like them to feel that this was an experience that made things better for them and an experience that gave them hope. I think that the kind of things that we talk about at this conference -- fantasy very much so, science fiction, and even horror -- the message that we're sending is the reverse of the message sent by what is called "realistic fiction." (I happen to think that realistic fiction is not, in fact, realistic, but that's a side issue.) And what we are saying is that it doesn't have to be like this: things can be different. Our society can be changed. Maybe it's worse, maybe it's better. Maybe it's a higher civilization, maybe it's a barbaric civilization. But it doesn't have to be the way it is now. Things can change. And we're also saying things can change for you in your life. Look at the difference between Severian the apprentice and Severian the Autarch [in The Book of the New Sun], for example. The difference beteween Silk as an augur and Silk as calde [in The Book of the Long Sun]. You see?We don't always have to be this. There can be something else. We can stop doing the thing that we're doing. Moms Mabley had a great line in some movie or other -- she said, "You keep on doing what you been doing and you're gonna keep on gettin' what you been gettin'." And we don't have to keep on doing what we've been doing. We can do something else if we don't like what we're gettin'. I think a lot of the purpose of fiction ought to be to tell people that.”

“In stories, when someone behaves uncharacteristically, we take it as a meaningful, even pivotal moment. If we are surprised again and again, we have to keep changing our minds, or give up and disbelieve the writer. In real life, if people think they know you well enough not only to say, 'It's Tuesday, Amy must be helping out at the library today,' but well enough to say to the librarian, after you've left the building, 'You know, Amy just loves reading to the four-year-olds, I think it's been such a comfort for her since her little boy died'—if they know you like that, you can do almost anything where they can't see you, and when they hear about it, they will, as we do, simply disbelieve the narrator.”

“We're not talking about pitching in, we're talking about institutionalized rape. We're talking about the government taking full control over your body--what it's for, what you do with it, and what other people can do to it. I'm not letting some horny old dude screw me just because the law says I have to. - Xochi”