“…I go through a story for lies. I might discover the lie of trying to show off. Sometimes they’re lies of character. Sometimes they are lies of writing the most beautiful sentence in the world that has nothing to do with the story.”

“The wrong word is like a lie jammed inside the story.”

“The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information.”

“At this very moment, the thumb of Ricardo's hovering shadow jabbed her in her left eye, revealing for all the world the shallowness of her water table. Rice could have been planted at that instant on the terraces of her flesh and sprouted in strength and beauty in the floods that overwhelmed her from that moment on through all the afternoon. ”

“Edie didn't budge. She leaned her chin on her knees and felt sad. She was a big reader too, but she liked THE BOBBSEY TWINS or HONEY BUNCH AT THE SEASHORE. She loved that nice family life. She tried to live it in the three rooms on the fourth floor. Sometimes she called her father Dad, or even Father, which surprised him. Who? he asked.”

“My language limitations here are real. My vocabulary is adequate for writing notes and keeping journals but absolutely useless for an active moral life. If I really knew this language, there would surely be in my head, as there is in Webster's or the Dictionary of American Slang, that unreducible verb designed to tell a person like me what to do next.”

“Let us go forth with fear and courage and rage to save the world.”