“A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love...' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street.”

“His question reminded me of how easy he had been to deceive, so easy that he seemed to me almost a conniver at his wife's unfaithfulness, as the man who leaves loose banknotes in a hotel bedroom connives at theft, and I hated him for the very quality which had once helped my love.”

“He looked with horror round the room: nobody could say he hadn't done right to get away from this, to commit any crime... When the man opened his mouth he heard his father speaking, that figure in the corner was his mother: he bargained for his sister and felt no desire... He turned to Rose, 'I'm off,' and felt the faintest tinge of pity for goodness which couldn't murder to escape.”

“The Mayor about the fable of the Prodigal Son:'But he came home.''Yes, his courage failed him. He felt very alone on that pig farm. There was no branch of the Party to which he could look for help. Das Kapital had not yet been written, so he was unable to situate himself in the class struggle. Is it any wonder that he wavered for a time, poor boy?”

“What an unbearable creature he must have been in those days--and yet in those days he had been comparatively innocent. That was another mystery: it sometimes seemed to him that venial sins--impatience, an unimportant lie, pride, a neglected opportunity--cut you off from grace more completely than the worst sins of all. Then, in his innocence, he had felt no love for anyone; now in his corruption he had learnt.”

“With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed--he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.”

“Then he allowed himself to strike, like his childhood hero Allan Quatermain, off on that long slow underground stream which bore him on toward the interior of the dark continent where he hoped that he might find a permanent home, in a city where he could be accepted as a citizen, as a citizen without any pledge of faith, not the City of God or Marx, but the city called Peace of Mind.”