“He said, ‘Oh god, help her. Damn me, I deserve it, but let her live forever.’ This was the love he should have felt for every soul in the world: all the fear and the wish to save concentrated unjustly on the one child. He began to weep.... He thought: This is what I should feel all the time for everyone.”

“Why are some of us, he wondered, unable to love success or power or great beauty? Because we feel unworthy of them, because we feel more at home with failure? He didn't believe that was the reason. Perhaps one wanted the right balance, just as Christ had, the legendary figure whom he would have liked to believe in. 'Come unto me all ye that travail are and heavy laden.' Young as the girl was at that August picnic she was heavily laden with her timidity and shame. Perhaps he had merely wanted her to feel that she was loved by someone and so he began to love her himself. It wasn't pity, any more than it had been pity when he fell in love with Sarah pregnant by another man. He was there to right the balance. That was all.”

“If a woman is in one's thoughts all day, one should not have a dream of her at night.”

“Sometimes I would walk with a sense of pain, sometimes with pleasure. If a woman is in one's thoughts all day, one should not have to dream of her at night.”

“When I began to write our story down, I thought I was writing a record of hate, but somehow the hate has got mislaid and all I know is that in spite of her mistakes and her unreliability, she was better than most. It's just as well that one of us should believe in her: she never did in herself.”

“Always I find when I begin to write there is one character who obstinately will not come alive...He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps, he only hinders. And yet one cannot do without him. I can imagine a God feeling in just that way about some of us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word. The stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of non-existence. We are inextricably bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, perhaps the saints with the opportunities for their free will.”

“Oh,' the priest said, 'that's another thing altogether - God is love. I don't say the heart doesn't feel a taste of it, but what a taste. The smallest glass of love mixed with a pint pot of ditch-water. We wouldn't recognize that love. It might even look like hate. It would be enough to scare us - God's love. It set fire to a bush in the desert, didn't it, and smashed open graves and set the dead walking in the dark. Oh, a man like me would run a mile to get away if he felt that love around.”