“What happens if you drop all the things that make you I?”

“Had a couple of drinks by myself. It was a mistake. Have I got to give up drinking, too? If I eliminate everything, how will I exist? I was somebody who loved Maurice and went with men and enjoyed my drinks. What happens if you drop all the things that make you I?”

“I'm only saying I want you to be happy. I hate your being unhappy. I don't mind anything you do that makes you happy."You just want an excuse. If I sleep with anybody else, you feel you can do the same - any time."That's neither here nor there. I want you to be happy, that's all."You'd make my bed for me?"Perhaps.”

“You don't bless what you love...It's when you want to love and you can't manage it. You stretch out your hands and you say God forgive me that I can't love but bless this thing anyway...We have to bless what we hate...It would be better to love, but that's not always possible.”

“I can’t say what made me fall in love with Vietnam - that a woman’s voice can drug you; that everything is so intense. The colors, the taste, even the rain. Nothing like the filthy rain in London. They say whatever you’re looking for, you will find here. They say you come to Vietnam and you understand a lot in a few minutes, but the rest has got to be lived. The smell: that’s the first thing that hits you, promising everything in exchange for your soul. And the heat. Your shirt is straightaway a rag. You can hardly remember your name, or what you came to escape from. But at night, there’s a breeze. The river is beautiful. You could be forgiven for thinking there was no war; that the gunshots were fireworks; that only pleasure matters. A pipe of opium, or the touch of a girl who might tell you she loves you. And then, something happens, as you knew it would. And nothing can ever be the same again.”

“Did you find anything special?' Blackie asked.T. nodded. 'Come over here,' he said, 'and look.' Out of both pockets he drew bundles of pound notes. 'Old Misery's savings,' he said. 'Mike ripped out the mattress, but he missed them.' 'What are you going to do? Share them?' 'We aren't thieves,' T. said. 'Nobody's going to steal anything from this house. I kept these for you and me - a celebration.' He knelt down on the floor and counted them out - there were seventy in all. 'We'll burn them,' he said, 'one by one,' and taking it in turns they held a note upwards and lit the top corner, so that the flame burnt slowly towards their fingers. The grey ash floated above them and fell on their heads like age. 'I'd like to see Old Misery's face when we are through,' T. said. 'You hate him a lot?' Blackie asked. 'Of course I don't hate him,' T. said. 'There'd be no fun if I hated him.' The last burning note illuminated his brooding face. 'All this hate and love,' he said, 'it's soft, it's hooey. There's only things, Blackie,' and he looked round the room crowded with the unfamiliar shadows of half things, broken things, former things. 'I'll race you home, Blackie,' he said. ("The Destructors")”

“She had lost all our memories for ever, and it was as though by dying she had robbed me of part of myself. I was losing my individuality. It was the first stage of my own death, the memories dropping off like gangrened limbs.”