“For whatever the era, nationality, gender and genre; whether realistic, traditional, fabulist, historical, fantasist, minimalist, crossover, the writer worthy of the literary arts and a host of readers always offers the riches of stories, that we may be less deprived and disconsolate, and more human and humane; perhaps wiser, and kinder to ourselves and our brothers and other strangers.”

“Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story.”

“Historical novels are, without question, the best way of teaching history, for they offer the human stories behind the events and leave the reader with a desire to know more.”

“Stories nurture our connection to place and to each other. They show us where we have been and where we can go. They remind us of how to be human, how to live alongside the other lives that animate this planet. ... When we lose stories, our understanding of the world is less rich, less true.”

“But Andrew was right about one thing. Human beings need to tell stories. Historically, it's the quickest way we have for transmitting useful information to other members of our species. Stories are not simply nice things to have; they are essential survival tools. And yes, the stories we tell ourselves are just as important as the stories we tell other people.”

“[I]n adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult readers who do deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us, because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. [Contemporary writers, however,] take up their stories as with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.”