“A capacity for inferiority in the growing adult is threatened by the temptation by squander that capacity ruthlessly, to revel in hallowness. The syndrom especially plaques anyone who lives behind a mask. An elephant in her disquise as a human princess, a scarecrow with painted features, a glittering tiara under which to glow and glide in anonymous glamour. A witch's hat, a wizards stole, a scholars gown, a soldiers dress sartorials. A hundred ways to duck the question: how will I live with myself now that I nkow what I know.”

“A capacity for interiority in the growing adult is threatened by the temptation to squander that capacity ruthlessly, to revel in hollowness. The syndrome especially plagues anyone who lives behind a mask...A hundred ways to duck the question: how will I live with myself now that I know what I know?”

“A human’s love. I couldn’t wish anything better for him. Animals protect what they know. They protect what they are bound to, but humans…humans have a greater capacity for sacrifice for those who live in their hearts. (Aristotle) ”

“My greatest strength is to have a great capacity to confront myself no matter how unpleasant. My greatest weakness is that I don't. I know that's enigmatic, but that's sort of a general formula for anyone, actually.”

“I’ve never been able to stand up for myself while growing up, but I will stand up for you against anyone who ever threatens to hurt you in any way.”

“How many were the aquarelles she painted for me; what a revelation it was when she showed me the lilac tree that grows out of mixed blue and red! Sometimes, in our St Petersburg house, from a secret compartment in the wall of her dressing room (and my birth room), she would produce a mass of jewelry for my bedtime amusement. I was very small then, and those flashing tiaras and chokers and rings seemed to me hardly inferior in mystery and enchantment to the illumination in the city during imperial fêtes, when, in the padded stillness of a frosty night, giant monograms, crowns, and other armorial designs, made of coloured electric bulbs - sapphire, emerald, ruby - glowed with a kind of charmed constraint above snow-lined cornices on housefronts along residential streets.”