“But I must pay attention now, she thinks, because what other choice is there? Maybe when I die my soul will fly to meet God, but when that time comes I won't have the use of clever hands, nor the burden of an ugly face; hands and face will be planted like bulbs in the soil, while only the bloom of the spirit emerges elsewhere. So let my hands and my face make their way in the world, let my hungry eyes see, my tongue taste.”

“So let my hands and my face make their way in this world, let my hungry eyes see, my tongue taste.”

“...What is the use of beauty? i have lived my life surrounded by painters, and still I do not know the answer. But i suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes or lives less miserable so that we might be more kind-well, then, lets have beauty, painted on our porcelain, hanging on our walls, ringing through our stories.”

“I was quite a looker in my time," she said. Was she reading his mind, or only being smart, to know she must be hideous?"Oh, had they invented time as long ago as that?”

“Old Flossie settle down on the other side of What-the-Dickens and dragged some handiwork out of a sack. She armed herself with two thorns shaped into knitting needles. A wodge of curlicued metallic scrubbing pad supplied the threat. 'I knit handcuffs as a hobby,' explained Old Flossie happily, and set to work. 'Idle hands get up to no good, so I like to be prepared in case I meet up with any idle hands.”

“But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.”

“I like the sound of words, but I don't ever really expect my slow, slanted impression of the world to change by what I read.”