“I do not listen when anyone uses the word immoral," said the Wizard. "In the young it is ridiculous, in the old it is sententious and reactionary and an early warning sign of apoplexy. In the middle-aged, who love and fear the idea of moral life the most, it is hypocritical.”

“I never use the words HUMANIST or HUMANITARIAN, as it seems to me that to be human is to be capable of the most heinous crimes in nature.”

“He had thought love as a policy made a lot of sense for those who could manage it, and anyone who could manage it belonged in religious life. The rest of us have to struggle with more ordinary love, the common or garden variety: love as a crippling condition. Love as a syndrome.”

“It may merely be apocryphal that when the Wizard saw the glass bottle he gasped, and clutched his heart. The story is told in so many ways, depending on who is doing the telling, and what needs to be heard at the time. It is a matter of history, however, that shortly thereafter, the Wizard absconded from the Palace. He left in the way he had first arrived-- a hot-air balloon-- just a few hours before seditious ministers were to lead a Palace revolt and to hold an execution without trial.”

“A capacity for inferiority in the growing adult is threatened by the temptation by squander that capacity ruthlessly, to revel in hallowness. The syndrom especially plaques anyone who lives behind a mask. An elephant in her disquise as a human princess, a scarecrow with painted features, a glittering tiara under which to glow and glide in anonymous glamour. A witch's hat, a wizards stole, a scholars gown, a soldiers dress sartorials. A hundred ways to duck the question: how will I live with myself now that I nkow what I know.”

“How children love the broken thing! And a puzzle is for the piecing together, especially for the young, who still believe it can be done.”

“It's unbecoming," she agreed. "A perfect word for my new life. Unbecoming. I who have always been unbecoming am becoming un.”