“Maybe that's what growing up means, in the end - you go far enough in the direction of - somewhere - and you realise that you've neutered the capacity of the term home to mean anything. [...] We don't get an endless number of orbits away from the place where meaning first arises, that treasure-house of first experiences. What we learn, instead, is that our adventures secure us in our isolation. Experience revokes our licence to return to simpler times. Sooner or later, there's no place remotely like home.”

“Maybe the definition of home is the place where you are never forgiven. So you may always belong there, bound by guilt. And maybe the cost of belonging is worth it.”

“Sometimes thought Liir-his first thought in weeks and weeks-sometimes I hate this marvelous land of ours. It's so much like home, and then it holds out on you.”

“The further on we go, the more meaning there is, but the less articulable. You live your life and the older you get- the more specifically you harvest- the more precious becomes every ounce and spasm. Your life and times don’t drain of meaning because they become more contradictory, ornamented by paradox, inexplicable. The less explicable, the more meaning. The less like a mathematics equation (a sum game); the more like music (significant secret).”

“There were a great many jokes about the disaster (house falling on and killing Wicked Witch of the East), naturally. "You can't hide from desinty, that house had her name on it" "That Nessarose, she was giving such a good speech about religious lessons, she really brought down the house!" "Everybody needs to grow up and leave home sometimes, but sometimes HOME DOESN'T LIKE IT." "What's the different between a shooting star and a falling house?" "One which is propitious grants delicious wishes, the other which is vicious squishes witches." "What's big, thick, makes the earth move, and wants to have its way with you?" "I don't know, but can you introduce me?”

“Thanks to our artists, we pretend well, living under canopies of painted clouds and painted gods, in halls of marble floors across which the sung Masses paint hope in deep impatsi of echo. We make of the hollow world a fuller, messier, prettier place, but all our inventions can't create the one thing we require: to deserve any fond attention we might accidentally receive, to receive any fond attention we don't in the course of things deserve. We are never enough to ourselves because we can never be enough to another. Any one of us walks into any room and reminds its occupant that we are not the one they most want to see. We are never the one. We are never enough.”

“Memory is a part of the present. It builds us up inside; it knits our bones to our muscles and keeps our hearts pumping. It is memory that reminds our bodies to work, and memory that reminds our spirits to work to: it keeps us who we are.~Candle”