“She dreamed of leaving, but she had too little exposure to the world to imagine where to go.”

“Tatiana had imagined her Alexander since she was a child, before she believed that someone like him was even possible. When she was a little girl, she dreamed of a fine world in which a good man walked its winding roads, perhaps somewhere in his wandering soul searching for her.”

“She had tricked him. She had made him leave his old self behind and come into her world, and then before he was really at home in it but too late to go back, she had left him stranded there--like an astronaut wandering about on the moon. Alone.”

“It doesn't matter where you are in the world because it's about where you are up here,' she touched the side of her head lightly. 'It's about the other world I inhabit. The world of dreams, hope, imagination and memories. I'm happy up here,' she tapped her temple again and smiled, 'and because of that I'm happy up here too.' She held out her arms and displayed the countryside around her....”

“She always imagined that evil played out on a large canvas- wars, concentration camps, gas chambers, the partitioning of nations. Now she realized that evil had a domestic side, and its very banality protected it from exposure.”

“But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have?”