“A sense of panic ensued, but panic is like fresh air. The world falls out from under us and we fly, we float, we skim mountains, and every draught we breathe is new. Exposed and raw, we are free to be lost , to ask questions. Otherwise we seize up and are paralyzed by self-righteousness, obsessed with our own perfection. If there is no death and regeneration, our virtues become empty shells” (199)-- Ehrlich's _A Match to the Heart_.”

“From the clayey soil of northern Wyoming is mined bentonite, which is used as filler in candy, gum, and lipstick. We Americans are great on fillers, as if what we have, what we are, is not enough. We have a cultural tendency toward denial, but being affluent, we strangle ourselves with what we can buy. We gave only to look at the houses we build to see how we build *against* space, the way we drink against pain and loneliness. We fill up space as if it were a pie shell, with things whose opacity further obstructs our ability to see what is already there.”

“Everything in nature invites us constantly to be what we are.”

“All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call "aware"--an almost untranslatable word meaning something like "beauty tinged with sadness.”

“Like water, I have no skin...only surface tension. (Gretel Ehrlich)”

“Autumn teaches us that fruition is also death; that ripeness is a form of decay. The willows, having stood for so long near water, begin to rust. Leaves are verbs that conjugate the seasons.”

“The retreat and disappearance of glaciers—there are only 160,000 left—means we're burning libraries and damaging the planet, possibly beyond repair. Bit by bit, glacier by glacier, rib by rib, we're living the Fall.”