“So I have 8 to 10 screenplays written and unproduced. And frankly, some of them are my favorite stories. I have a Western version of The Count Of Monte Cristo where the count has a clockwork hand. I have a screenplay called Mephisto's Bridge about a Faustian deal with the devil. I love them all.”

“What makes a man a man? A friend of mine once wondered. Is it his origins? The way he comes to life? I don't think so. It's the choices he makes. Not how he starts things, but how he decides to end them.”

“I believe in man. I believe in mankind, as the worst and the best that has happened to this world.”

“Well, the first thing is that I love monsters, I identify with monsters.”

“In jail you learn that there are two kinds of guys in this world - and I don't care if they're human or bloodsuckers - there's the ones that take it and the ones that hand it out. And this guy, man - this guy gives it out like fucking candy . . .”

“In the medieval tradition, Beksinski seems to believe art to be a forewarning about the fragility of the flesh– whatever pleasures we know are doomed to perish– thus, his paintings manage to evoke at once the process of decay and the ongoing struggle for life. They hold within them a secret poetry, stained with blood and rust.”

“...there's something about maternal love - it might just be the strongest human spiritual bond there is.”