“LoveThat’s it:The cashless commerce.The blanket always too short.The loose connexion.To search behind the horizon.To brush fallen leaves with four shoesand in one’s mind to rub bare feet.To let and rent hearts;or in a room with shower and mirror,in a hired car, bonnet facing the moon,wherever innocence stopsand burns its programme,the word in falsetto soundsdifferent and new each time.Today, in front of a box office not yet open,hand in hand crackledthe hangdog old man and the dainty old woman.The film promised love.”

“...I remain restless and dissatisfied; what I knot with my right hand, I undo with my left, what my left hand creates, my right fist shatters”

“I am not trying to say that a passport photo of himself can cure a gloomy man of a gloom for which there is no ground; for true gloom is by nature groundless; such gloom, ours at least, can be traced to no identifiable cause, and with its almost riotous gratuitousness this gloom of ours attained a pitch of intensity that would yield to nothing. If there was any way of making friends with our gloom, it was through the photos, because in these serial snapshots we found an image of ourselves which, though not exactly clear, was - and that was the essential - passive and neutralized. They gave us a kind of freedom in our dealings with ourselves; we could drink beer, torture our blood sausages, make merry and play. We bent and folded the pictures, and cut them up with little scissors we carried about with us for this precise purpose. We juxtaposed old and new pictures, made ourselves one-eyed or three-eyed, put noses on our ears, made our exposed right ears into organs of speech or silence, combined chins and foreheads. And it was not only each with his own likeness that we made these montages; Klepp borrowed features from me and I from him: thus we succeeded in making new, and we hoped, happier creatures.”

“...if I were asked to think up a new name for temptation, I should recommend the word 'doorknob', because what are these protuberances put on doors for if not to tempt us...”

“They had tried doing it by themselves in her room with a cheap onion, but it wasn't the same. You needed an audience. It was so much easier to cry in company. It gave you a real sense of brotherhood in sorrow when to the right and left of you and in the gallery overhead your fellow students were all crying their hearts out.”

“...there is no such thing as a parttime partisan. Real partisans are partisans always and as long as they live. They put fallen governments back in power and overthrow governments that have just been put in power with the help of partisans. Mr Matzerath contended - and his thesis struck me as perfectly plausible - that among all those who go in for politics your incorrigible partisan, who undermines what he has just set up, is closest to the artist because he consistently rejects what he has just set up.”

“Once upon a time there was a musician who slew his four cats, stuffed them in a garbage can, left the building, and went to visit friends.”