“So which hand?” Van asked him. “I’m being really nice giving you an option.”“Jesus! You’re gonna break my fucking hand?”“I told you I would. Maybe next time you’ll think twice about hitting a girl.”“You don’t even know what the fuck hap—”“Which hand?” Van growled again. “Five, four, three…”

“I can think of something else that would make me feel even better.”She raised her eyebrows. “Oh?” With a nod he gave her a wicked smile. “Yeah. It’s warm…and it feels really good when I’m in it…and I love how it’s always wet for me…”“You think so, huh?” she smirked.“Well yeah. A shower is usually wet when I—”She slugged him in the shoulder and he laughed out loud."Van!”

“This is a wonderful day,” Anthony was muttering to himself. “A wonderful day.” He looked up sharply at Gareth. “You don’t have sisters, do you?”“None,” Gareth confirmed.“I am in possession of four,” Anthony said, tossing back at least a third of the contents of his glass. “Four. And now they’re all off my hands. I’m done,” he said, looking as if he might break into a jig at any moment. “I’m free.”“You’ve daughters, don’t you?” Gareth could not resist reminding him.“Just one, and she’s only three. I have years before I have to go through this again. If I’m lucky, she’ll convert to Catholicism and become a nun.Gareth choked on his drink.“It’s good, isn’t it?” Anthony said, looking at the bottle. “Aged twenty-four years.”“I don’t believe I’ve ever ingested anything quite so ancient,” Gareth murmured.”

“[I]n Africa I was a member of a family—of a sort of family that the people of your culture haven't known for thousands of years. If gorillas were capable of such an expression, they would tell you that their family is like a hand, of which they are the fingers. They are fully aware of being a family but are very little aware of being individuals. Here in the zoo there were other gorillas—but there was no family. Five severed fingers do not make a hand.”

“What can I do for you, Mother?" he asked. "And don't say 'Dance with Hermione Smythe-Smith.' Last time I did that I nearly lost three toes in the process.""I wasn't going to ask anything of the sort," Violet replied. "I was going to ask you to dance with Prudence Featherington.""Have Mercy, Mother," he moaned. "She's even worse.""I'm not asking you to marry the chit," she said. "Just dance with her."Benedict fought a groan. Prudence Featherington, while essentially a nice person, had a brain the size of a pea and a laugh so grating he'd seen grown men flee with their hands over their ears. "I'll tell you what," he wheedled. "I'll dance with Penelope Featherington if you keep Prudence at bay.""That'll do," his mother said with a satisfied nod, leaving Benedict with the sinking sensation that she'd wanted him to dance with Penelope all along."She's over there by the lemonade table," Violet said, "dressed as a leprechaun, poor thing.The color is good for her,but someone really must take her mother in hand next time they venture out to the dressmaker. A more unfortunate costume,I can't imagine.""You obviously haven't seen the mermaid," Benedict murmured.She swatted him lightly on the arm. "No poking fun at the guests.""But they make it so easy.”

“Pamela, I’m in love with you. Yeah, it’s that bad. You’re so beautiful to me. Shut up! Lemme tell you. Let me. Every time I look at your face or even remember it, it wrecks me - and the way you are with me - and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough. I feel like I’m going to live a thousand years cause that’s how long it’s gonna take me to have one thought about you which is that I’m crazy about you, Pamela. I don’t wanna be with anybody else. I don’t. I really don’t. I don’t think about women anymore. I think about you. I had a dream the other night that you and I were on a train. We were on this train and you were holding my hand. That’s the whole dream. You were holding my hand and I felt you holding my hand. I woke up and I couldn’t believe it wasn’t real. I’m sick in love with you, Pamela. It’s like a condition. It’s like polio. I feel like I’m gonna die if I can’t be with you. And I can’t be with you. So I’m gonna die - and I don’t care cause I was brought into existence to know you and that’s enough. The idea that you would want me back it’s like greedy.”

“I probably reread novels more often than I read new ones. The novel form is made for rereading. Novels are by their nature too long, too baggy, too full of things – you can't hold them completely in your mind. This isn't a flaw – it's part of the novel's richness: its length, multiplicity of aspects, and shapelessness resemble the length and shapelessness of life itself. By the time you reach the end of the novel you will have forgotten the beginning and much of what happens in between: not the main outlines but the fine work, the detail and the music of the sentences – the particular words, through which the novel has its life. You think you know a novel so well that there must be nothing left in it to discover but the last time I reread Emma I found a little shepherd boy, brought into the parlour to sing for Harriet when she's staying with the Martin family. I'm sure he was never in the book before.”