“Now the End of the World is an abstraction because it has never happened. It has no existence in the real world. It will cease to be an abstraction only when it happens--if it happens. (I do not claim to know "God's mind" on the subject- -nor to possess any scientific knowledge about a still non- existent future). I see only a mental image & its emotional ramifications; as such I identify it as a kind of ghostly virus, a spook-sickness in myself which ought to be expunged rather than hypochondriacally coddled & indulged. I have come to despise the "End of the World" as an ideological icon held over my head by religion, state, & cultural milieu alike, as a reason for doing nothing.”

“Anyone who can read history with both hemispheres of the brain knows that a world comes to an end every instant--the waves of time leave washed up behind themselves only dry memories of a closed & petrified past--imperfect memory, itself already dying & autumnal. And every instant also gives birth to a world--despite the cavillings of philosophers & scientists whose bodies have grown numb--a present in which all impossibilities are renewed, where regret & premonition fade to nothing in one presential hologrammatical psychomantric gesture. ”

“I maintain that (as usual) many sides exist to this issue rather than only two. Two-sided issues (creationism vs darwinism, "choice" vs "pro-life," etc.) are all without exception delusions, spectacular lies.”

“Only the dead are truly smart, truly cool. Nothing touches them. While I live, however, I side with bumbling suffering crooked life, with anger rather than boredom, with sweet lust, hunger & carelessness...against the icy avant-guard & its fashionable premonitions of the sepulcher. ”

“The sorcerer is a Simple Realist: the world is real--but then so must consciousness be real since its effects are so tangible.”

“IN PERSIA I SAW that poetry is meant to be set to music & chanted or sung--for one reason alone--because it works.A right combination of image & tune plunges the audience into a hal (something between emotional/aesthetic mood & trance of hyperawareness), outbursts of weeping, fits of dancing--measurable physical response to art. For us the link between poetry & body died with the bardic era--we read under the influence of a cartesian anaesthetic gas. ”

“Chaos comes before all principles of order & entropy, it's neither a god nor a maggot, its idiotic desires encompass & define every possible choreography, all meaningless aethers & phlogistons: its masks are crystallizations of its own facelessness, like clouds. ”