“And Ásta Sóllilja, it was she who swept on wings of poetry into those spheres which she had sensed as if in distant murmur one spring night last year when she was reading about the little girl who journeyed over the seven mountains; and the distant murmur had suddenly swelled to a song in her ears, and her soul found here for the first time its origin and its descent; happiness, fate, sorrow, she understood them all; and many other things. When a man looks at a flowering plant growing slender and helpless up in the wilderness among a hundred thousand stones, and he has found this plant only by chance, then he asks: Why is it that life is always trying to burst forth? Should one pull up this plant and use it to clean one's pipe? No, for this plant also broods over the limitation and the unlimitation of all life, and lives in the love of the good beyond these hundred thousand stones, like you and me; water it with care, but do not uproot it, maybe it is little Ásta Sóllilja.”
“He once called her his basil plant; and when she asked for an explanation, said that basil was a plant which had flourished wonderfully on a murdered man's brains.”
“Those who sought her never found her, yet she was known to come to the aid of those in greatest need. And, then again, sometimes she didn’t. She was like that. She didn’t like the clicking of rosaries, but was attracted to the sound of dice. No man knew what She looked like, although there were many times when a man who was gambling his life on the turn of the cards would pick up the hand he had been dealt and stare Her full in the face. Of course, sometimes he didn’t. Among all the gods she was at one and the same time the most courted and the most cursed.”
“Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it.”
“But she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture that somehow revealed the meaning in common things. She had only to stand in the orchard, to put her hand on a little crab tree and look up at the apples, to make you feel the goodness of planting and tending and harvesting at last. All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races.”
“In life, a person can take one of two attitudes: to build or to plant. The builders might take years over their tasks, but one day, they finish what they're doing. Then they find that they're hemmed in by their own walls. Life loses its meaning when the building stops. Then there are those who plant. They endure storms and all the vicissitudes of the seasons, and they rarely rest. But unlike a building, a garden never stops growing. And while it requires the gardener's constant attention, it also allows life for the gardener to be a great adventure. Gardeners always recognize each other, because they know that in the history of each plant lies the growth of the whole World.”