“The girl had many virtues: money, a car--a gold-coloured Capri, in which she played the latest funk--a big house and a rich father. When Valentin asked, 'What does your boyfriend do?' she replied, 'But I don't have one, really.”

“It was clear that Eleanor had been to bed with a large and random collection of people, but when I suggested she go to bed with me, she said, 'I don't think we should, just at the moment, do you?' As a man I found this pretty fucking insulting.”

“What a quality of innocence people have when they don't expect to be harmed.”

“But you're beautiful, and the beautiful should be given whatever they want.""Hey, what about the ugly ones?""The ugly ones." She poked her tongue out. "It's their fault if their ugly. They're to be blamed, not pitied.”

“Like you, she will have been with other people, but I've got a feeling there's something between you.”

“Secrets are my currency: I deal in them for a living. The secrets of desire, of what people really want, and of what they fear the most. The secrets of why love is difficult, sex complicated, living painful and death so close and yet placed far away. Why are pleasure and punishment closely related? How do our bodies speak? Why do we make ourselves ill? Why do you want to fail? Why is pleasure hard to bear?”

“ Unlike films, plays don't take place in the past. The fear,anxiety of the actors is happening now, in front of you. If performing is risky, we identify with the possibility of granduer and disaster" ("The Body" and Seven Stories).”