“This is going to be hideously trite,” he says. “Prepare yourself.” “Prepared.” “It’s Christmas. You love them. They love you. More than anything else, that’s what matters. Things will happen the way they happen, and you’ll sort out the way you feel about them, and it will be all right. And you’ll keep loving them, and they’ll keep loving you, and … God bless us, everyone.” I consider this. “Kind of a weak ending.” “I can’t help suspecting it would have resonated more if I were a sickly child in Victorian Britain,” he agrees wistfully.”

“Howie?” Arthur says. “What?” “Why do you want me to freak out?” He asks it sort of gently, which makes it worse somehow.“Because you make me freak out all the time.” Maybe I’m not so totally chill, but whatever, whatever, I’m sick of it. “Like, honestly, I’m pretty sure I’ve started doing it professionally. Maybe you should start considering paying me extra. ‘Cause seriously, dude, when it comes to freaking out about you, I am the master. I am friggin’ incomparable, I got mad skills all over the place. And I don’t think this is exactly mutual freaking out, like, I don’t get the sense that I make you want to wither and die and explode. And that’s okay. That’s cool. I’m kind of going through a thing here that you probably went through a long time ago, unless you didn’t go through it at all because you’re just all together, like, you popped out of the womb, all, ‘Thanks for squeezing me out, Mom; no more pussy for me.”

“Now, okay, important knitting life lesson right here: don’t go acrylic. Just don’t. Acrylic’s what you’re gonna find at, like, Wal-Mart, and acrylic is crap. I have it on good authority that it’s like knitting with barbed wire, that it’s squeaky, yeah, that’s right, squeaky, and that – although I can’t vouch for this one personally – apparently it’s what Satan uses to make Christmas sweaters for the ninth-circle sinners.”

“I love the way he says my name, like it’s something he wants to keep safe.”

“He wanted to be angry, to scream and rail and feel honest-to-God outrage. But he wasn't that kind of man. His love for Mikaela was more than just an emotion; it was the sum total of who he was. This one thing he knew above everything else. He loved Mikaela too much. Which in its way was as bad as loving someone not enough.”

“And the thing about love," Wally said to Angel, "is that you can’t force anyone. It’s natural to want someone you love to do what you want, or what you think would be good for them, but you have to let everything happen to them. You can’t interfere with people you love any more than you’re supposed interfere with people you don’t even know. And that’s hard,” he added, “because you often feel like interfering - you want to be the one who makes the plans.“It’s hard to want to protect someone else, and not be able to,” Angel pointed out.“You can’t protect people, kiddo,” Wally said. “All you can do is love them.”

“What are we calling that, exactly?” I ask. Arthur ponders this for a moment. “Hmm. How about … Haphazard Medley Inspired By Radio on the Drive Over, Messrs. McCartney, Lennon, Harrison, and Starr, The Most Hideous Preteen Holiday Monstrosity Ever Inflicted Upon The Ears Of Longsuffering Parents, The Smiths Because I Know You Like Them, And A Great Deal Of Nonsense Made Up Spur Of The Moment, All For The Beautiful Boy Who Is Sitting Next To Me, Because Somehow, Amidst The Recent Chaos, Dissatisfaction, And Mediocrity Of My Existence, Lord Knows How, I Seem To Have Done Something Very Right.” Oh, this guy. “You’re never going to fit that on any album sleeves,” I say, leaning in to rest my forehead against his.“Just the beautiful boy part, then,” he compromises, starting to smile.”