“Everyone looks happy on Facebook.""I know, right? What's up with that?”

“In sum," Midlife said, giving the room his best you-the-jury baritone, "Our defense will be...?" He looked to Matt for the answer/"Blame the other guy," Matt said."Which other guy?""Yes.""Huh?""We blame whoever we can," Matt said. "The CFO, the COO, the C Choose-Your-Favorite-Two-Letter-Combination, the accounting firm, the banks, the board, the lower-level employees. We claim some of them are crooks. We claim some of them made honest mistakes that steamrolled.""Isn't that contradictory?" Midlife asked, folding his hands and lowering his eyebrows. "Claiming both malice and mistakes?" He stopped, looked up, smiled, nodded. Malice and mistakes. Midlife liked the way that sounded."We're looking to confuse," Matt said. "You blame enough people, nothing sticks. The jury end up knowing something went wrong but you don't know where to place the blame. We throw facts and figures at them. We bring up every possible mistake, every uncrossed t and dotted i. We act like discrepancy is a huge deal, even if it's not. We are skeptical of EVERYONE.”

“For a short time, I hated them. But when you think about it, what good does that do?It takes so much to hold on to hate—you lose your grip on what's important, you know?”

“Myron reached for the phone and dialed Win's number. After the eighth ring he began to hang up when a weak, distant voice coughed. "Hello?"Win?"Yeah."You okay?"Hello?"Win?"Yeah."What took you so long to answer the phone?"Hello?"Win?"Who is this?"Myron."Myron Bolitar?"How many other Myrons do you know?"Myron Bolitar?"No, Myron Rockefeller."Something's wrong," Win said.What?"Terribly wrong."What are you talking about?"Some asshole is calling me at seven in the morning pretending to be my best friend."Sorry, I forgot the time.”

“I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her...I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.”

“Mrs. Friedman lived in a happy snow globe of AP History.”

“I remember one time I heard this English professor asking the class what the world's scariest noise is. Is it a man crying out in pain? A woman's scream of terror? A gunshot? A baby crying? And the professor shakes his head and says, 'No, the scariest noise is, you're all alone in your dark house, you know you're all alone, you know that there is no chance anyone else is home or within miles—and then, suddenly, from upstairs, you hear the toilet flush.”