“I took off my sweatshirt and dropped it on the grass and set off around the track. As soon as I started running, the world changed. The bodies spread out across the green of the football field were parts of a scene remembered, not one real at this moment. The secret of effort is to keep on, I told myself. Not for the world would I have stopped then, and yet nothing- not even if I had been turned handsome as a reward for finishing- could have made up for the curious pain of the effort.”

“My protagonists are my mother's voice and the mind I had when I was thirteen.”

“He was a precocious and delicate little boy, quivering with the malaise of being unloved. When we played, his child's heart would come into its own, and the troubled world where his vague hungers went unfed and mothers and fathers were dim and far away--too far away to ever reach in and touch the sore place and make it heal--would disappear, along with the world where I was not sufficiently muscled or sufficiently gallant to earn my own regard.”

“The disparity between what people said life was and what I knew it to be unnerved me at times, but I swore that nothing would ever make me say life should be anything...”

“I figured I had kept her from being too depressed after fucking--it's hard for a girl with any force in her and any brains to accept the whole thing of fucking, of being fucked without trying to turn it on its end, so that she does some fucking, or some fucking up; I mean, the mere power of arousing the man so he wants to fuck isn't enough; she wants him to be willing to die in order to fuck. There's a kind of strain or intensity women are bred for, as beasts, for childbearing when childbearing might kill them, and child rearing when the child might die at any moment: it's in women to live under that danger, with that risk, that close to tragedy, with that constant taut or casual courage. They need death and nobility near. To be fucked when there's no drama inherent in it, when you're not going to rise to a level of nobility and courage forever denied the male, is to be cut off from what is inherently female, bestially speaking.”

“I don't hate you. I love you.""I love you, too. God, it's hell!"They decided to be more sensible. The next day they didn't meet in Widener. Elgin stayed in his room, and at three o'clock the phone rang. "It's me--Caroline.""Oh God, you called. I was praying you would. Where are you?""In the drugstore on the corner." There was silence. "Elgin," she said at last, "did you have any orange juice today?"He ran, down the stairs, along the sidewalk, to the drugstore to have his orange juice.”

“There is a certain shade of red brick--a dark, almost melodious red, sombre and riddled with blue--that is my childhood in St.Louis. Not the real childhood, but the false one that extends from the dawning of consciousness until the day that one leaves home for college. That one shade of red brick and green foliage is St. Louis in the summer (the winter is just a gray sky and a crowded school bus and the wet footprints on the brown linoleum floor at school), and that brick and a pale sky is spring. It's also loneliness and the queer, self-pitying wonder that children whose families are having catastrophes feel. ”